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BEN PLATTS-MILLS
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DESCENT INTO THE MAELSTROM: on drawing black holes
When I started researching my recent BBC essay , one question in the back of my mind was, how am I going to draw a black hole? There aren't exactly a wealth of images of the real thing - just a handful of blurry telescope images to go by: orange doughnuts floating in darkness . But once I got onto the drawing phase of the project I realised this situation actually gave me a great deal of artistic freedom not available in my last illustrated essay (in which I felt a significa
Jul 11, 20243 min read


FRINGE SEMIOTICS: on the origins of Hulk's haircut
In the summer of 2020 I started revisiting Jack Kirby's artwork for Marvel Comics. In particular I was looking at his early drawings for his masterpiece of nuclear-gothic, the Incredible Hulk , first published in May 1962: My first attempts to copy Kirby's drawing were not, in my opinion, excellent. This one just looks wrong: This one's head is way too wide and squashed: Still having trouble with the shape of the head here - having to add more hair to make it bigger, ending u
Jun 16, 20223 min read


SKETCHBOOK PAGES, WINTER 2019
In the winter of 2019 I attended Emily Haworth-Booth's Drawing the Graphic Novel course at the Royal Drawing School in London. Here are...
Sep 17, 20212 min read
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